Monday, June 29, 2020
Letââ¬â¢s Communicate Itââ¬â¢s Not About War - Literature Essay Samples
ââ¬Å"How to Tell a True War Story,â⬠in Tim Oââ¬â¢Brienââ¬â¢s novel The Things They Carried, has almost nothing to do with war. Rather, it has to do with the difficulties of a speaker to communicate their feelingsââ¬âwhich are conveyed through storiesââ¬âas well as the listenersââ¬â¢ failure to understand them. ââ¬Å"How to Tell a True War Storyâ⬠includes several accounts of events that occurred in the main charactersââ¬â¢ lives during Vietnam. One of which concerns the character Bob Kiley, or Rat as most people call him. A week after his friend dies, Rat decides to write a letter to his friendââ¬â¢s sister telling her about the good times they had, how great of a guy he was, and how much he loved him. Although Rat mails the letter, even after two months, the sister never replies back. In response, Rat complains, ââ¬Å"ââ¬â¢I write this beautiful fuckinââ¬â¢ letter, I slave over it, and what happens? The dumb cooze never writes backââ¬â¢ â⬠(69). The letter, which is both the recollections of his experiences with and his true and honest feelings for his best friend, is Rat Kileyââ¬â¢s story. And it is a story that the listener, in this case the sister, does not understandââ¬âshe could not get that the letter ââ¬Å"wasnââ¬â¢t a war storyâ⬠but that ââ¬Å"It was a love storyâ⬠(85). The use of the word ââ¬Å"dumb coozeâ⬠then illustrates the frustration Rat Kiley suffers, for he is unable to successfully describe the love he has for his best friend.Similarly, ââ¬Å"Field Tripâ⬠is also about the listenerââ¬â¢s inability to comprehend the emotions behind and the point of the speakerââ¬â¢s story; but more importantly, ââ¬Å"Field Tripâ⬠is about the speakerââ¬â¢s incapability to voice his own stories. In ââ¬Å"Field Trip,â⬠the narrator, Tim, goes back to Vietnam and takes along his ten-year-old daughter Kathleen. A major reason Tim brings his daughter is to sh ow her the world, and to offer her ââ¬Å"a small piece of her fatherââ¬â¢s historyâ⬠(182). In a sense, because he cannot verbally say it, this is Timââ¬â¢s way of showing his story and having Kathleen attempt to walk in his shoes. The issues in understanding are presented when Kathleen asks, ââ¬Å"ââ¬Ëhow come you were even here in the first place?ââ¬â¢Ã¢â¬ and Tim replies, ââ¬Å"ââ¬ËI donââ¬â¢t knowâ⬠¦because I had to beââ¬â¢Ã¢â¬ (183). Even though Kathleen repeats her question, ââ¬Å"ââ¬ËBut why?ââ¬â¢Ã¢â¬ all Tim can do is try ââ¬Å"to find something to tell her,â⬠eventually shrug and say that ââ¬Ëâ⬠Itââ¬â¢s a mystery, I guess. I donââ¬â¢t knowââ¬â¢Ã¢â¬ (183). This demonstrates both the daughterââ¬â¢s failure to grasp the significance and meaning behind this whole trip, as well as the fatherââ¬â¢s inability to convey it. In addition, even when Tim goes swimming in a marshland to carry out his attemp t to wash away his own guilt, and to honor the memory of the dead soldier Kiowa (which are his main reasons for going back), his daughter, who watches him, is nervous and nearly grossed-out. She says what Tim is doing ââ¬Å"ââ¬Ëis stupid,ââ¬â¢Ã¢â¬ and what he is about to swim in is ââ¬Å"ââ¬Ënot even water, itââ¬â¢s like mush or somethingââ¬â¢Ã¢â¬ (186). Kathleenââ¬â¢s attitude towards the events of this trip to Vietnam reveals her lack of understanding of Timââ¬â¢s past experiences, and thus current actions. However, Kathleenââ¬â¢s lack of understanding is due mostly, in a larger sense, to Timââ¬â¢s failure to communicate. If Tim could have told Kathleen why he even went to Vietnam in the first place, then maybe his daughter would have had a better idea of why he did, what he did. Evidently, both of these short stories lean towards a more fundamental, underlying issue: the speakersââ¬â¢ failure to communicate. So why, then, is it so hard for sp eakers to do such a seemingly uncomplicated task? In Rat Kileyââ¬â¢s case, he became frustrated because he could not properly convey his affections towards his best friend, and even his anger towards the sister (another reason he called her a ââ¬Å"dumb coozeâ⬠). Additionally, later on in ââ¬Å"How to Tell a True War Story,â⬠there is a sad and disturbing scene of Rat Kiley repeatedly shooting at a helpless, innocent baby buffalo. Ratââ¬â¢s actions reveal how he is unable to put into words his worries, sadness, rage, and other emotions, and therefore takes it all out on the baby buffalo. He even ââ¬Å"tried to say something, but then cradled his rifle and went off by himselfâ⬠(79). Consequently, Kileyââ¬â¢s decision to go off by himself shows that he could not, or was still trying to, figure everything out (his feelings, for instance). Likewise, in ââ¬Å"Field Trip,â⬠Tim himself does not truly know why he went to Vietnam (in the first place). This i s exemplified by when he goes swimming in the marshland. As it becomes obvious, this marshland is not clear and pure like water; in fact this ââ¬Å"waterâ⬠is dirty and full of bugs and tiny bubbles and probably all kinds of other jumbled up matter, or, as Kathleen puts it, this water is ââ¬Å"like mushâ⬠(186). Conceivably, this was Tim also trying to figure things out for himself, which explains when he ââ¬Å"tried to think of something decent to say, something meaningful and right,â⬠in the end, ââ¬Å"nothing cameâ⬠to mind (186). This uncertainty is also similar to ââ¬Å"How to Tell a True War Storyâ⬠when the narrator starts talking about what the war feels like for the common soldiers. What is important is not the war itself, but the fact that ââ¬Å"[t]here is no clarityâ⬠(82)ââ¬âexactly like the ââ¬Å"waterâ⬠Tim was swimming in. So perhaps the reason why Rat Kiley, Tim, the common soldier, and maybe even the common person, has d ifficulty conveying their feelings is because they have yet to figure and work out their own emotions and their own stories. For these people, it is as if they are swimming back and forth and thinking, ââ¬Å"whatââ¬â¢s the pointâ⬠ââ¬âas if they are trying to ââ¬Å"get at the real truth,â⬠trying to figure out and get at their true feelings (82, 85). There is, however, one conviction that stands true for both the listener and the speaker, and that is their ââ¬Å"overwhelming ambiguityâ⬠(82).
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